And you all know that Security is mortals chiefest enemy. -Hecate in Macbeth By William Shakespeare For thousands of years, since the ascendant of civilization, societies have striven to secure their homes by any means possible. plain Romulus, puter of one of the worlds mightiest empires, started with a wooden fence, and the French frequent Magi non brocaded unscalable walls, protecting his country from the Germans with his Maginot line. How perpetually, despite the flora of the greatest minds and historical figures, none of the close solid defenses kept out(a) the enemy for long. A man could easily develop everyplace Romes first wall; Maginots line was useless when the Germans found an utility(a) route. History is etched by this intention of grind aside and celestial latitude, and while the mighty empires may see themselves as secure, adventure often occurs during these periods of great seeming security. Seeing the pattern of history, legion(predicate) writers an d artists have adopted this phenomenon into their works. In the Old English opulent poesy Beowulf, many characters pay dearly for their sense of ease, and come to pass prey to the same enemy that defeated Romulus and Maginot. Perhaps the most apparent and tangible example of false security in the poem is Hrothgars meadhall, Heorot.
This hall, reinforced on the foundation of a kings pride, appears to be tidy sum up for disaster. Early in the epic, the hearing learns that Heorots purpose was to be a meadhall higher than humankind had ever heard of, and highest of houses. (Beowulf, 63-64, 72) The tout ensemble concept of Heorot brings to mind the biblical story of the Tower of Babel, built as a evidence to mans pride, it ends ! in tragedy. In addition, usage tells that Gods wrath on Babel came not only from mens pride, precisely also from the wish to hand heaven through... If you want to lead a full essay, drift it on our website:
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