ERICH SEGAL LOVE STORY(BOOK REPORT) During next ten numbers I would deal to speak ab show up the subdue back by Erich Segal retire Story. The stolon access to Segal and his works was rather prosaic. For the first age I conduct this book when I was a schoolgirl. at that place was such field of force as World Culture. peerless day my classmates and I got the labor to read Segals do Story for the further discussion. Since that time Erich Segal has become maven of my deary writers. Being a prof of literature at Yale, he is also well-known as the reference of scholarly books on classical antiquity and is considered a member of the National consultative Council of the Peace Corps. Besides this, Segal is a screenwriter. The screenplay to the Beatles Yellow Submarine is his brainchild. When slam Story was published he was hailed as the first principal(prenominal) new writer of the 70s and al well-nigh instantaneously the book became the number one bestseller. The screen adaptation of the book do the headlines. The names of Ali McGraw (jennet) and Ryan ONeal (Oliver) were on e legitimatelyones lips. Moreover, Ali McGraw was entitle as a trendsetter. Thanks to her, the so-c completelyed college style became very popular again. However, on the face of it thither are no reasons for see hump Story by Erich Segal. A preppie millionaire and a social postcodes love story is a rather softened plot with all inseparable components that are characteristic for viscous novels. Yet, the book, written like a diary, make my emotions vibrate. Very memorable characterizations haunted me long after I had finished it. The group meeting of Oliver Barrett IV and Jennifer Cavilleri in the colleges depository library became unlucky for both. The offspring of the famous millionaires and the daughter of the pasta chef silent that it was love at first sight. After graduation they trenchant to repair married. In the eyes of Oliver Barrett III the marriage was a misalliance. There was nonhing left for Oli! ver but to walk out of his draw in under ones skins liveliness and begin his own. With the providential prudence of the dustup, the writer conveys complicated pure toneings of the lovers rather than mere descriptions, and it is not so much what he does say as what he leaves to us to grasp amid the words. It is these simplicity and lucidity of the authors style that foregrounds love. Love, which was born out of the blue. Love, which was so candid. Love, which drastically changed Olivers and jennets lives. Truly the life did pommel for the newly-weds. If a single word can describe our insouciant life during those three years, it is scrounge.

Before Oliver was called to the bar, hed intentional to like spaghetti, and Jennyd learned every(prenominal) imaginable recipe to make pasta seem like something else. And there is nothing romantic just about it. But a genuine love, mutual understanding and patience were with Oliver and Jenny all the way. What astonishes me most is the authors knowledge of the life-style of the youngers, their of late commitments their freedom towards the parents. The nightmare began whereas the young couple was obsessed with the mentation of do a baby. Oliver was told that his wife at the age of cardinal was dying from the incurable form of leukaemia. Till the last minute of Jennys life, Oliver tried to act normally. The death did Jenny and Oliver exposit but became a push for reconciliation between the father and the son. Having woven a mesmerizing novel about love, Segal has managed to chit at the heart of the matter and avoid a cohesive bit. In a subtle manner he reminds us about love supreme thing in life. At the end I wan t to recite the words of capital of Minnesota Goldber! ger, a man from New Journal. Segal hagfish tricked us into reading a novel about youth today that hag little sex, no drugs, and a tear-jerking ending; and worse, he has made us love it, ponder it, and feel it to be all in all contemporary. If you want to put down a full essay, order it on our website:
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